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David foster wallace us open essay

How David Foster Wallace illuminates the US Open – even without

wallace’s argument was that federer’s greatness lay in the way he turned compositional beauty into a kind of weapon, in the way he transcended the limits of the human body and the speed at which we think. even though the game has moved on from the period that wallace covered (the most recent essay is from a decade ago), the collection is still rich with insights into how math and metaphysics make tennis the most beautiful of sports. everything in all access, plus:Customized delivery options such as sunday only, fri. an effort, perhaps, to salve that wound for wallace fans, earlier this year the library of america released a new anthology of wallace’s tennis writing. but perhaps that’s because we’re waiting for someone to write like wallace or play like federer, instead of looking for players and writers who create whole new ways to win, ugly and beautiful all at once.. open, federer serving to andre agassi early in the fourth set. and, most important, the achievement was replicable, just like the composite racket. we spent some time tracking down free dfw stories and essays available on the web, and they’re all now listed in our collection, 800 free ebooks for ipad, kindle & other devices. one wonders what wallace would have made of his both understandable and frustrating elevation to saint dave. the fact that tennis ran wallace's story nearly a year after it was reported runs in sharp contrast to today's army of reporters huddled together in the press room below arthur ashe stadium, tweeting away over every bead of roger federer's sweat. if the fit isn’t perfect, he adjusts the ball until it is. the spaniard eschews all warm-up clothing, so you have to look at his muscles right away. forms a fascinating contrast with wallace’s own tennis style, as described in his writing.

30 Free Essays & Stories by David Foster Wallace on the Web

these are just the broadest distinctions, of course — like, there’s heavy topspin vs. the closer one is to the net, the more of the opponent’s court is open — the classic advantage of volleying was that you could hit angles that would go way wide if attempted from the baseline or midcourt. everything in basic, plus:Nytimes crossword access, enjoy 20 years of nytimes crosswords archives, sync your progress across any device.“tense present: democracy, english, and the wars over usage” (harper’s, april 2001). how, then, someone of federer’s consummate finesse has come to dominate the men’s tour is a source of wide and dogmatic confusion. temporally, we’re more in the operative range of reflexes, purely physical reactions that bypass conscious thought. commentsharry ransom centeraugust 27, 2012manuscriptsboth flesh and not, david foster wallace, democracy and commerce at the u. this wimbledon final’s got the revenge narrative, the king-versus-regicide dynamic, the stark character contrasts. tiny child undergoing chemo, serious chemo, his mother having to watch, carry him home, nurse him, then bring him back to that place for more chemo. here, in a passage from his mega-novel infinite jest, a tennis coach muses to himself:The true opponent, the enfolding boundary, is the player himself. though wallace’s comments on the proof pages are often assertive, they are equally good-natured, dotted throughout with smiley faces, and oftentimes showing his humor. so one type of technical explanation for federer’s dominion is that he’s just a bit more kinesthetically talented than the other male pros. at the site, we settled into the main stadium for the marquee match that day, between eventual champion pete sampras and a rising australian star, mark philippoussis.

  • Roger Federer as Religious Experience - Tennis - The New York

    meanwhile, wallace, who “was such a lazy turd in practice”, would calmly hit the ball down the middle of the court, daring the other players to take the aforementioned psyche-destroying risks. forget about transcending the self – play the opponent physically and psychologically, play the conditions, use every advantage you can muster, and don’t worry about perfection. the wind could make a good ball go long and “drove some kids near-mad with the caprice and unfairness of it all, and on real windy days these kids, usually with talent out the bazoo, would have their first apoplectic racket-throwing tantrum in about the match’s third game”. wallace spent almost no time interviewing federer for his virtuosic essay roger federer as religious experience, originally published in the new york times magazine. just as obviously, then, there is more than time and training involved — there is also sheer talent, and degrees of it. (in the time between wallace reporting the story and its publication, infinite jest hit bookshelves.(11)the time and discipline required for serious kinesthetic training are one reason why top pros are usually people who’ve devoted most of their waking lives to tennis, starting (at the very latest) in their early teens. plus nadal is also federer’s nemesis and the big surprise of this year’s wimbledon, since he’s a clay-court specialist and no one expected him to make it past the first few rounds here. he could pull off radical, extraordinary angles on hard-hit groundstrokes, mainly because of the speed with which heavy topspin makes the ball dip and land without going wide.. open turns 20 this year—although it wasn't published until 1996—and, like much of his other writings ("democracy" and his other tennis works can be found in his on tennis collection of essays), the piece continues to strike a chord with readers. hitting thousands of strokes, day after day, develops the ability to do by “feel” what cannot be done by regular conscious thought. more journalists were coming to sportswriting from less conventional, outside-the-locker-room backgrounds like wallace's, rather than the trenches of local team beat reporting. a former top junior player himself, wallace brought a level of tennis knowledge to "democracy," but still created jokes with the reader, both in and out of the text.
  • Editor recounts working with David Foster Wallace on 1996 U.S.

    ” it will be included in a book of the writer’s previously uncollected work to be published in november, both flesh and not. for reasons that are not well understood, war’s codes are safer for most of us than love’s. one player’s grace, speed, power, precision, kinesthetic virtuosity, and seriously wicked topspin are transfiguring men’s tennis. kinesthetic virtuoso or no, roger federer is now dominating the largest, strongest, fittest, best-trained and -coached field of male pros who’ve ever existed, with everyone using a kind of nuclear racket that’s said to have made the finer calibrations of kinesthetic sense irrelevant, like trying to whistle mozart during a metallica concert., just to let you know, the link to “big red son” is broken. wallpaper news | what it was like to work with david foster wallace. at its best, this impulse lent wallace’s writing an otherworldly quality, as if he had been sent here to explain us to ourselves.. open was largely overlooked at the time, glenn stout, the series editor of the best american sportswriting, said. topspin causes the ball to pass high over the net, describe a sharp arc, and come down fast into the opponent’s court (instead of maybe soaring out). then, because of the 50th birthday celebration, it turned into two. how did she answer her child’s question — the big one, the obvious one? it’s the passionate machismo of southern europe versus the intricate clinical artistry of the north. against most other opponents, federer could simply end the point on a ball like this, but one reason nadal gives him trouble is that he’s faster than the others, can get to stuff they can’t; and so federer here just hits a flat, medium-hard cross-court forehand, going not for a winner but for a low, shallowly angled ball that forces nadal up and out to the deuce side, his backhand.
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  • David Foster Wallace bibliography - Wikipedia

    in both his fiction and essays, wallace used tennis to wrestle with this unanswerable question. without it, there’s no this is water, the commencement speech posthumously turned into a one-line-a-page book; no long list of things learned in rehab that became one of infinite jest’s most widely quoted passages; and no in-and-of-itself transcendent description of the key to federer’s appeal – “hav[ing] to do with … human beings’ reconciliation to having a body”. it showed a detail from the exterior of salisbury cathedral in england, a close-up of a stone bust in a silent, eternal, open-mouthed scream; on the verso, the work, a portrait of pain, was identified simply as “head of man. he described that—the cab drivers talking about the open, even though you think of tennis as an elitist sport..the moments are more intense if you’ve played enough tennis to understand the impossibility of what you just saw him do.[…] this post is in partnership with the harry ransom center at the university of texas at austin., in turn, the more topspin you put on the ball, the harder you can hit it, because there’s more margin for error. 1995, i contacted a young writer named david foster wallace to ask if he would come to the u. federer — his background, his home town of basel, switzerland, his parents’ sane and unexploitative support of his talent, his junior tennis career, his early problems with fragility and temper, his beloved junior coach, how that coach’s accidental death in 2002 both shattered and annealed federer and helped make him what he now is, federer’s 39 career singles titles, his eight grand slams, his unusually steady and mature commitment to the girlfriend who travels with him (which on the men’s tour is rare) and handles his affairs (which on the men’s tour is unheard of), his old-school stoicism and mental toughness and good sportsmanship and evident overall decency and thoughtfulness and charitable largess — it’s all just a google search away. federer steps to this ball and now hits a totally different cross-court backhand, this one much shorter and sharper-angled, an angle no one would anticipate, and so heavy and blurred with topspin that it lands shallow and just inside the sideline and takes off hard after the bounce, and nadal can’t move in to cut it off and can’t get to it laterally along the baseline, because of all the angle and topspin — end of point. wallace's assignment was to roam the grounds of what today is the billie jean king tennis center in flushing meadows. he was “playing the conditions”, using environmental factors – particularly the midwest’s frustratingly strong and chaotic winds – to his advantage. us open starts this week, but there will be one notable absence: for the first time since 1999, roger federer won’t be competing.
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David Foster Wallace at the U.S. Open, 20 Years Later | VICE Sports

On Tennis: Five Essays - Kindle edition by David Foster Wallace

" (perhaps, then, it's fitting that grantland, one of espn's homes for sports storytelling, has embraced wallace's beloved footnotes unlike any other non-academic publication. federer’s resurgence this year as wimbledon champion and olympic tennis finalist once again had fans excavating the essay on him written by david foster wallace for the new york times in 2006, “federer as religious experience. the result (omitting various complications and subspecialties(15)) has been men’s pro tennis for the last 20 years: ever bigger, stronger, fitter players generating unprecedented pace and topspin off the ground, trying to force the short or weak ball that they can put away. 1 of corrected proof of david foster wallace’s 1996 essay on the u. everything after that first down-the-line slice was designed by the swiss to maneuver nadal and lull him and then disrupt his rhythm and balance and open up that last, unimaginable angle — an angle that would have been impossible without extreme topspin. in the essay, after having spent only a few days there, he had crystalized all the annoyances, grievances, glories and grandeur that those of us who had been attending the event for years had observed but with more humor, sharpness and empathy: the “felonious” price of the häagen-dazs bars, the “big ginger beard” that made one of the ball boys look like a “ball grad student,” and the “mad crane” style of a 6’6″ player. one covered the off- and on-court circus of the u. these are times, as you watch the young swiss play, when the jaw drops and eyes protrude and sounds are made that bring spouses in from other rooms to see if you’re o. in 2010, jennings contributed a file of corrected proofs and correspondence to the ransom center relating to the essay and revealing wallace’s close involvement in the editorial process. but goodiesiain sinclair's "ghost milk" includes visit to austinwar photography exhibition showcases images from the ransom center’s photography collectionanne frank and the archivesample the gabriel garcía márquez archive from anywhere in the worldfellows find: researcher traces the compositional structures of david foster wallace's fictiona small gem of negativity: the decline postcard. at wimbledon is meticulous, down to the hang of his blazer. his weapon was his groundstrokes, especially his forehand, which he could hit with overwhelming pace because of the amount of topspin he put on the ball.. open like david foster wallace did with his tennis magazine piece, "democracy and commerce at the u.

David Foster Wallace The String Theory - David Foster Wallace on

and nadal come out to applause, make their ritual bows to the nobles’ box. put him up at the official hotel, the hyatt above grand central station in manhattan, and i met him in the lobby on sunday morning to ride the shuttle bus out to queens. there’s the great care roger federer takes to hang the sport coat over his spare courtside chair’s back, just so, to keep it from wrinkling — he’s done this before each match here, and something about it seems childlike and weirdly sweet. in a way, his writing is often like an extended match between federer and djokovic, with wallace playing both parts, luring you into traps one second, moving you to tears with beauty and grace the next. of Wallace’s tennis writing released this year reminds us of his insights into math and metaphysics, and how a star’s greatest opponent is himself30 free essays & stories by david foster wallace on the web. inspiration, though, is contagious, and multiform — and even just to see, close up, power and aggression made vulnerable to beauty is to feel inspired and (in a fleeting, mortal way) reconciled. in his hands, though, the third round of men's singles that year between pete sampras and mark philippoussis became a metaphor for the peloponnesian war, sampras's serve "a kind of angry eel getting ready to writhe," philippoussis "malevolent but cyborgian. it’s unexpected and backs nadal up, slightly, and his response is a low hard short ball that lands just past the service line’s t on federer’s forehand side. nor must you be spot-on to generate topspin, a spin that (recall) requires a tilted face and upwardly curved stroke, brushing over the ball rather than hitting flat through it — this was quite hard to do with wood rackets, because of their smaller face and niggardly sweet spot. obviously, this is something that not every junior who devotes himself to tennis can do. wallace had warned jennings that he would be a difficult editee, but the papers demonstrate the contrary. jonas bjorkman, who said he was pleased to "have the best seat in the house. tv tennis has its advantages, but these advantages have disadvantages, and chief among them is a certain illusion of intimacy.

How David Foster Wallace illuminates the US Open – even without

Archive of Writer David Foster Wallace Now Open for Research

suddenly agassi hits a hard heavy cross-court backhand that pulls federer way out wide to his ad (=left) side, and federer gets to it but slices the stretch backhand short, a couple feet past the service line, which of course is the sort of thing agassi dines out on, and as federer’s scrambling to reverse and get back to center, agassi’s moving in to take the short ball on the rise, and he smacks it hard right back into the same ad corner, trying to wrong-foot federer, which in fact he does — federer’s still near the corner but running toward the centerline, and the ball’s heading to a point behind him now, where he just was, and there’s no time to turn his body around, and agassi’s following the shot in to the net at an angle from the backhand side. the wimbledon lawn tennis museum, for instance, has a collection of all the various kinds of rackets used here through the decades, and one of the many signs along the level 2 passage of the millennium building(5) promotes this exhibition with both photos and didactic text, a kind of history of the racket. the moment you stepped off the train at flushing meadows, maria sharapova (who withdrew from competition due to an injury) was looking at you from american express banners.[…] this post is in partnership with the harry ransom center at the university of texas at austin. keep visualizing up to where you’re about halfway into the stroke’s forward motion; the incoming ball is now just off your front hip, maybe six inches from point of impact.. open in 1995 and edited "democracy," recently donated some of the edited pages of the piece to the harry ransom center at the university of texas at austin. of witnessing, firsthand, the beauty and genius of his game. it can’t help but remind us of the absence of the man who turned a profile of federer into the greatest essay about tennis.” as we approach the start of this year’s open and labor day, “the american summer’s right bracket,” as he wrote in the piece, the ransom center asked me to reflect back on the assignment and my relationship with dave. as william’s ushered off, there’s more cheering, but it’s scattered and disorganized; most of the crowd can’t quite tell what to do. that david foster wallace died by his own hand so soon after the conclusion of the 2008 us open, the last year when federer would win that tournament, only makes the resonance echo louder.. openpermalinkkraus map collection now acces…kraus map collecti…authors’ door reflects breadth…authors’ door refl…. transcendent impulse in wallace’s writing is the key to his recent canonization.

30 Free Essays & Stories by David Foster Wallace on the Web

Both Flesh and Not - Wikipedia

thing about the ball cooperatively hanging there, slowing down, as if susceptible to the swiss’s will — there’s real metaphysical truth here. nike tennis whites were omnipresent, as if spectators were prepared just in case serena williams asked them to be her new hitting partner. there’s also his intelligence, his occult anticipation, his court sense, his ability to read and manipulate opponents, to mix spins and speeds, to misdirect and disguise, to use tactical foresight and peripheral vision and kinesthetic range instead of just rote pace — all this has exposed the limits, and possibilities, of men’s tennis as it’s now played. mary jo fernandez, who was warming up on the stadium court in wallace's day, is now commentating for espn. and it is why sexy attributions like touch and subtlety must not be misunderstood. plus there’s the fact that you’re not putting a static object into motion here but rather reversing the flight and (to a varying extent) spin of a projectile coming toward you — coming, in the case of pro tennis, at speeds that make conscious thought impossible. was federer’s much more elegant style, which could be called “winning beautiful”, that drew wallace to him. federer playing in the 2008 us open, the last time he won the tournament. wallace reveled in subverting magazine assignments, and liked to use every trick in the book to move, impress and thrill a reader. 1995, David Foster Wallace strolled the grounds of the National Tennis Center in Flushing Meadows for what would become "Democracy and Commerce at the U. federer floats a soft forehand high over the net, which he can get away with because nadal never comes in behind his serve. unshaven and in his trademark bandana, he looked the part of a raucous rock star but was unfailingly polite, appreciative, and both excited and a little nervous. though he was not widely known, editors were clamoring to have him to riff on some scene or another on the basis of a hilarious, hyperobservant essay he’d published in harper’s magazine in 1994 about the illinois state fair.

Roger Federer as Religious Experience - Tennis - The New York

holding ball and racket out in front, just before starting the motion, federer always places the ball precisely in the v-shaped gap of the racket’s throat, just below the head, just for an instant. and the spattery gale that has knocked over parking signs and everted umbrellas all morning suddenly quits an hour before match time, the sun emerging just as centre court’s tarp is rolled back and the net posts driven home. but our memory of a reputation's evolution itself changes, or at least that's what seems to be happening in the case of wallace.” i don’t know what-all sounds were involved, but my spouse says she hurried in and there was popcorn all over the couch and i was down on one knee and my eyeballs looked like novelty-shop eyeballs. theory: david foster wallace on tennis review – the best writer on the game ever. and yet an effective return of serve depends on a large set of decisions and physical adjustments that are a whole lot more involved and intentional than blinking, jumping when startled, etc. composites’ lighter, wider heads and more generous centers let players swing faster and put way more topspin on the ball. nadal, just across the net, keeps dancing in place like a boxer, swinging his arms from side to side. and federer is of this type — a type that one could call genius, or mutant, or avatar. while a media pass still allows reporters to roam the grounds freely, no one—reporter or otherwise—roams as freely as they used to.’s hard not to see some element of self-awareness in all wallace’s praise of federer. continued to correspond sporadically over the years, the last time just months before he took his own life, when i wrote to him about an exhibition match i’d seen between the retired pete sampras and john mcenroe.. open, when it felt like you landed in a large shopping mall that just so happened to have some tennis courts.

federer now hits a very hard, deep topspin backhand, the kind that hisses, to a point just slightly on the ad side of nadal’s baseline, which nadal gets to and forehands cross-court; and federer responds with an even harder, heavier cross-court backhand, baseline-deep and moving so fast that nadal has to hit the forehand off his back foot and then scramble to get back to center as the shot lands maybe two feet short on federer’s backhand side again. 1995, jay jennings, a former editor of tennis magazine, commissioned david foster wallace to write an article about the u. levels of the game, mcphee’s book-length dissection of a semi-final match between chuck graebner and arhur ashe at the 1968 us open, manages to be about the self, racism, the american south, republicans, democrats, the 1960s, the professionalization of tennis, human excellence, art and politics. extraordinary kinesthetic ability must be present (and measurable) in a kid just to make the years of practice and training worthwhile. english has a whole cloud of terms for various parts of this ability: feel, touch, form, proprioception, coordination, hand-eye coordination, kinesthesia, grace, control, reflexes, and so on. horizontally, adjusting the racket face ever so slightly to the left or right, and hitting the ball maybe a millisecond early or late, will result in a cross-court versus down-the-line return. started the week expecting to publish one david foster wallace post. so here they are — 23 pieces published by david foster wallace between 1989 and 2011, mostly in major u.” he means it just as a bantery, modest way to make bjorkman feel better, to confirm that he’s surprised by how unusually well he played today; but he’s also revealing something about what tennis is like for him. it’s not clear if wallace ever read gilbert’s book (he never mentions it), but it’s likely he did. my then-wife had other plans for us, so i had to demur, to my eternal regret, relegating myself to an even smaller dfw footnote in literary history. it’s just that that’s not all he is. imagine that you, a tennis player, are standing just behind your deuce corner’s baseline.

Editor recounts working with David Foster Wallace on 1996 U.S.

in his own childhood, wallace wrote, he wasn’t thinking about transcendence at all. after the issue appeared, he generously wrote to thank me for the short profile i’d written of him for the magazine’s “editor’s page” and, again later that year, to explain why the tennis story would not appear in his collection a supposedly fun thing i’ll never do again, even though he thought it better than another tennis piece, “the string theory,” originally from esquire: the latter had received more attention and to include both would be too much tennis for the book. after a july 7 semifinal in which federer destroyed jonas bjorkman — not just beat him, destroyed him — and just before a requisite post-match news conference in which bjorkman, who’s friendly with federer, says he was pleased to “have the best seat in the house” to watch the swiss “play the nearest to perfection you can play tennis,” federer and bjorkman are chatting and joking around, and bjorkman asks him just how unnaturally big the ball was looking to him out there, and federer confirms that it was “like a bowling ball or basketball. got another free dfw essay for you: big red son. federer is a replay of last month’s french open final, which nadal won.) wallace explored the grounds before the smartphone era, but he probably would have thought selfie sticks were a hoot, to say nothing of the tennis-related missed connections on craigslist. you like our facebook fanpage, you'll receive more articles like the one you just read!. open, home to democracy and commerce for more than 20 years. on the vertical plane, angling your racket face just a couple degrees forward or back will create topspin or slice, respectively; keeping it perpendicular will produce a flat, spinless drive. there’s also the fact that nadal has adjusted his clay-based game to grass — moving in closer to the baseline on his groundstrokes, amping up his serve, overcoming his allergy to the net. concessions are still "doing business on the sort of scale enjoyed by coastal grocery and hardware stores during a hurricane warning. the same principle explains why even the smallest imprecision in aiming a rifle will still cause a miss if the target’s far enough away. no one can write about tennis like this now, just like no one can imagine the “baby federers” like milos raonic or grigor dmitrov redefining the sport with weaponized beauty the way roger has.

David Foster Wallace bibliography - Wikipedia

repetitive practice like this often looks tedious or even cruel to an outsider, but the outsider can’t feel what’s going on inside the player — tiny adjustments, over and over, and a sense of each change’s effects that gets more and more acute even as it recedes from normal consciousness.. open is that for a brief moment, new yorkers, be they bellhops or billionaires, are united in their chatter of the theater of sport, a phenomena wallace alludes to in "democracy. the specific thesis here is that if you’ve never seen the young man play live, and then do, in person, on the sacred grass of wimbledon, through the literally withering heat and then wind and rain of the ’06 fortnight, then you are apt to have what one of the tournament’s press bus drivers describes as a “bloody near-religious experience. some of this stuff is interesting; some is just odd. there are also the issues of how close you’re allowing the ball to get to your body, what grip you’re using, the extent to which your knees are bent and/or weight’s moving forward, and whether you’re able simultaneously to watch the ball and to see what your opponent’s doing after he serves.. open, which was published as “democracy and commerce at the u. nadal tucks his hair under his hankie, but federer doesn’t, and smoothing and fussing with the bits of hair that fall over the hankie is the main federer tic tv viewers get to see; likewise nadal’s obsessive retreat to the ballboy’s towel between points.. open issue, and in the interim, infinite jest was published and dave became the reluctant darling of the literary world. nadal, the man who’s taken the modern power-baseline game just as far as it goes, versus a man who’s transfigured that modern game, whose precision and variety are as big a deal as his pace and foot-speed, but who may be peculiarly vulnerable to, or psyched out by, that first man. what federer now does is somehow instantly reverse thrust and sort of skip backward three or four steps, impossibly fast, to hit a forehand out of his backhand corner, all his weight moving backward, and the forehand is a topspin screamer down the line past agassi at net, who lunges for it but the ball’s past him, and it flies straight down the sideline and lands exactly in the deuce corner of agassi’s side, a winner — federer’s still dancing backward as it lands."miller's words echo in wallace's legacy as a tennis reporter, as well. wallace noted in 1995 the new infiniti automobile on a complicated stand greeting visitors; now there are three mercedes, still on a complicated stand, still greeting visitors. at 16, he dropped out of classroom studies and started serious international competition.

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but the sign’s really just a testament to the power of dogma. the feeling, what-all it might mean, has a tip-of-the-tongue-type quality that remains elusive for at least the first two sets.” it may be tempting, at first, to hear a phrase like this as just one more of the overheated tropes that people resort to to describe the feeling of federer moments. another several thousand have done what people here do willingly every year, which is to pay a stiff general admission at the gate and then gather, with hampers and mosquito spray, to watch the match on an enormous tv screen outside court 1."that wallace was not widely regarded as a 'great' writer during his lifetime is quickly being forgotten," miller wrote.(17) what’s strange and wrong about wimbledon’s sign, really, is its overall dolorous tone."much of the zaniness, of course, was off-court, and wallace wanted to take his readers there: the "big zucchini of the fuji inc. verily it is the game’s mecca, the cathedral of tennis; but it would be easier to sustain the appropriate level of on-site veneration if the tournament weren’t so intent on reminding you over and over that it’s the cathedral of tennis.[…] this post is in partnership with the harry ransom center at the university of texas at austin. but the driver’s phrase turns out to be true — literally, for an instant ecstatically — though it takes some time and serious watching to see this truth emerge. men may profess their “love” of sports, but that love must always be cast and enacted in the symbology of war: elimination vs.. open over labor day weekend and riff on the scene, not so much the one on the court but that going on all over the grounds of the national tennis center in new york. foster wallace: what it was like to work with him.


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