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The lost origin of the essay

The Lost Origins of the Essay (A New History of the Essay): John D

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The Lost Origins of the Essay | Graywolf Press

some are useful: "[t]he essay is the equivalent of a mind in rumination," he writes in one early note, "performing as if improvisationally the reception of new ideas, the discovery of unknowns, the encounter with the 'other. indeed, the lost cause’s focus on the past and on southern loss emerged from a longtime sense among white southern advocates that the ideal south was fragile in the face of powerful threats. historians have examined lost cause ideology as a product of confederate defeat and have focused on its peak at the turn of the twentieth century. frederick douglass also worked to counter the lost cause’s version of the confederate and southern past, declaring in a speech in 1882, for example, that “i am…for remembering the past” and that “many disguises have been assumed by the south in regard to [the civil war]. hill of georgia, a prominent lawyer and career politician who frequently gave speeches contributing to the lost cause’s glorification of the white south, pledged his allegiance in an 1868 speech in atlanta to the “glorious ancestral doctrine that the states are equal and that white blood is superior.  thus, unlike most scholarship on civil war memory, which, when it has touched upon the lost cause’s emergence, has looked to the 1870s-at the earliest-i plan to look back to the 1860s and earlier, to highlight the continuity of white southern advocacy from the antebellum to postwar years.  later, the lost cause contained substantial remnants of this ideology..Propositions 18–19: jesus is the keystone of god’s plan to resolve disorder and perfect order; paul’s use of adam is more interested in the effect of sin on the cosmos than in the effect of sin on humanity and has nothing to say about human origins. see foster, ghosts of the confederacy: defeat, the lost cause, and the emergence of the new south, 1865-1913 (new york: oxford university press, 1987).  historians need not overplay postwar reconciliation or the south’s idealization in popular culture to see that views of the early lost causers found their way into the nation and its understanding of the civil war and the old south.  thus, lost causers grappled with the failure of the confederate experiment by carrying forward a number of the arguments that white southerners had long used to celebrate themselves and their region. next american essay was strong evidence that the essay is no longer what it used to be, and the lost origins of the essay is strong evidence that the essay was never what we thought it was. he argues that the ane people were not really that interested in material origins but in the proper arrangement of materials into a well-ordered cosmos. where he goes beyond the limits of the text and speaks in contradiction to explicit statements in it, however, is when he argues that neither the ane creation texts nor genesis 1 are concerned about material origins.  in seeking to uncover the lost cause’s origins, this paper will challenge the work of other historians by examining the first months and years after the civil war, when a group of white southerners worked to salvage their vision of an idyllic south from defeat.

The Believer - John D'Agata's THE LOST ORIGINS OF THE ESSAY

foster’s ghosts of the confederacy (1987) remains the leading work on lost cause origins, but it does not focus on the early lost cause or its continuity with older white southern thought. in his acknowledgments, he thanks his students, “who have been reading and discussing some of these essays for many years with me, and who sometimes in response—to the benefit of this project—have challenged my thinking by declaring these not essays. next american essay already seems to belong in that small company of anthologies that become landmarks or points of departure, like ron silliman’s in the american tree or jerome rothenberg’s technicians of the sacred.[18] but lost causers were able to sustain many ideas of earlier white southern advocacy. indeed, the essay is an elusive form (we are better off avoiding the term "genre") that has suffered from a chronic inferiority complex.  in the immediate wake of the civil war, lost causers sought to limit the terms of white southern surrender, accepting union and emancipation but nothing more.  lost causers maintained the belief that the constitution upheld state sovereignty, white southern power, and white supremacy.  many of the early lost causers sought to achieve with memory what they had not achieved with war, re-fighting “the war with a pen,” in the words of rollin g.[1] edward albert pollard, the lost cause: a new southern history of the war of the confederates (new york: e.[19] even new south proponents like john gordon employed lost cause imagery. it is underrated, undersold, misunderstood, misshelved -- or so goes the common complaint of the essayist. early lost causers couched their mythology about the south’s recent war effort in older ideas. alongside essays by didion and dillard were much less familiar pieces by david foster wallace, anne carson, and harry mathews. early described slavery as having “furnished a class of labourers as happy and contented as any in the world, if not more so,” he joined other lost causers in echoing the old claims of white southern advocates, such as william harper, who had argued before the civil war that “the negro race, from their temperament and capacity, are peculiarly suited to the situation which they occupy, and not less happy in it than any corresponding class to be found in the world.”  later, lost causers retained pride in the south’s natural beauty: as a georgia writer told readers in a passage about the “beautiful south” in 1868, there were “tall pines like stalwart grenadiers of the forest [that reared] their green-crested heads far into the blue vaulted canopy above.

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The Lost Origins of the Essay by John D'Agata — Reviews

instead of a typology of essays, there were unclassifiable anomalies like david shields’s “life story,” composed entirely of bumper sticker slogans, and jenny boully’s “the body,” a series of footnotes to a text that had been erased from the upper half of the page. are here: lat home→collections→anthologybook review 'the lost origins of the essay' by john d'agataaugust 16, 2009|kathryn crim | krim is the deputy editor of the threepenny review. william harper, the pro-slavery argument, as maintained by the most distinguished writers of the southern states: containing the several essays on the subject, of chancellor harper, governor hammond, dr. the original concept, in other words, the method is objective, not the journalist. between selections, he interposes his own meditations on the essay.  by uncovering the origins and emergence of the lost cause in the efforts of white southern advocates of the mid-nineteenth century, we can gain further understanding of the lost cause’s place within american history and thought.  but significant continuity existed within the southern cultural defense through the mid-nineteenth century, resulting from the fact that the lost cause emerged almost immediately from the ruins, bringing older southern ideas and pride with it.  lost causers’ success in upholding some arguments did not mean that they achieved a complete victory in the nineteenth century.' " some reach for pith, as in "every essay is a journey of a thought into risk.  consolidating years of white southern thoughts and fears was part of lost causers’ ambitious attempt to fuse all of white southern history into a sweeping, attractive abstract of regional heritage. but, i wonder, are the origins of the essay truly lost?[2] a glance at the literature on the lost cause helps illustrate the fact that historians have not focused on continuity in white southern advocacy from the prewar, through the wartime, and into the postwar years: for example, in the myth of the lost cause (1973), rollin g.  their postwar efforts, resting upon those of earlier white southern advocates, produced a prominent lost cause memory of the south, the confederacy, and the civil war, which in time would become an enduring piece of broader american culture.  in doing so, these advocates for the white south constructed a “lost cause” mythology and memory of the civil war and white southern history and culture. causers pronounced their vision a “lost cause,” even as they pursued that cause’s victory.

Review: The Lost Origins of the Essay | Ploughshares

nolan, the myth of the lost cause and civil war history [bloomington, in: indiana university press, 2000]). his new book, the lost world of adam and eve, john walton tries to show that there is no necessary contradiction or tension between the discoveries of modern science when they are rightly understood and what the bible actually teaches about cosmic and human origins. Their covers and editorial apparatuses gesture wildly at being up-to-date, but the contents—descriptive, narrative, and argumentative essays, as represented by George Orwell, Joan Didion, James Baldwin, Annie Dillard, Richard Rodriguez, and E.” introducing the final selection, lisa robertson’s marvelous “seven walks,” d’agata suggests we see the essay itself as a walk: “the essay is at its best when it is trying to get somewhere. 1–3: genesis is an ancient document; in the ancient world and the old testament, creating focuses on establishing order by assigning roles and functions; genesis 1 is an account of functional origins, not material origins. had come into being, when no destinies had been decreed,The gods were created (akkadian banû “to build”; cf. the lost origins of the essay excavates the literary history of several continents to demonstrate that the “next” essay, in all its idiosyncratic divagations, has always already been among us. paul scott stanfield essay anthologies are one of the perennials of american publishing, old and new titles shoaling into bookstores by the tens of thousands every year … the catch being that most are put forward not as essay anthologies, but as “composition readers,” created to encourage undergraduates to take an interest in the shapeliness of their own prose.’agata knows his definition of the essay goes against the grain.  and in fact, because the early lost cause had grown out of even earlier white southern advocacy, this paper will push further back, tracing the ideas of the early lost cause to wartime confederate morale-boosting and to antebellum efforts to promote a vision of white southern identity and pride. nolan, the myth of the lost cause and civil war history (bloomington, in: indiana university press, 2000); sarah e.  but by that time, the lost cause had actually been prominent for decades, since the immediate wake of the civil war. d'agata's "the lost origins of the essay" is an anthology that declares itself in poundage." still, as ardently as d'agata persuades us that the essay is something vital and necessary, that creative minds have been essaying since the beginning -- and as eager as i am to agree with him and to follow him into each excellent selection -- i am, i must admit, a bit disoriented by his effort to dislodge our prejudices against "nonfiction. indeed, after fighting a war over such fundamental concepts as union, federalism, slavery, and the constitution, lost causers chose to confront defeat as many people might: by holding onto what they could.

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  • Origins of the Lost Cause: | Essays in History

    their covers and editorial apparatuses gesture wildly at being up-to-date, but the contents—descriptive, narrative, and argumentative essays, as represented by george orwell, joan didion, james baldwin, annie dillard, richard rodriguez, and e.  all this continuity, however, raises a crucial question: did anything change in lost causers’ celebration of the south? i should have begun with a different question: what is an essay? osterweis, the myth of the lost cause, 1865-1900 (hamden, ct: archon books, 1973); carol reardon, pickett’s charge in history and memory (chapel hill, nc: university of north carolina press, 1997); nina silber, the romance of reunion: northerners and the south, 1865-1900 (chapel hill, nc: university of north carolina press, 1993). see osterweis, the myth of the lost cause, 1865-1900 (hamden, ct: archon books, 1973).’” at about the volume’s midpoint, he takes aim at the classic english essay (“a kind of literary transaction: the subject matter advertised in the title of the piece, the unthreateningly middling thesis, the unsurprising exploration in fulfillment of that thesis, and the proudly dramatic reminder of what the reader has just read”) in introducing dequincey, whose essays he describes as “incorporating personal experience, literary criticism, politics, history, gossip, dreams—all string together loosely by the music of association. historical explanation of the influential lost cause mythology must explore the consistency and continuity of white southern advocacy from the antebellum years to the early lost cause.” the headnotes of the lost origins of the essay, as did those of the next american essay, together constitute an essay of their own, a disquisition on the infinitely branching possibilities of the form, furnished with full-length examples.  with the experiment crushed, how could lost causers maintain older ideals?  in using ideas that earlier white southern advocates had made popular, lost causers distorted southern life and history as much as their predecessors had. but […] just because an essay has something it’s pursuing does not mean, necessarily, that what’s arrived at is what’s gained. the lost origins of the essay brings to light a fabulous inheritance that was right in front of our faces without our seeing it.  after the civil war, for example, the republican party gained long-term ascendance, and a number of northerners, union veterans, and african-americans published narratives that directly countered lost cause efforts to vindicate the confederacy and celebrate white southerners. stampp, “the concept of a perpetual union,” in stampp, the imperiled union: essays on the background of the civil war (oxford: oxford university press, 1980), 9, 20, 11, 22. anthologies are one of the perennials of American publishing, old and new titles shoaling into bookstores by the tens of thousands every year … the catch being that most are put forward not as essay anthologies, but as “composition readers,” created to encourage undergraduates to take an interest in the shapeliness of their own prose.

    'The Lost Origins of the Essay' by John D'Agata - latimes

    but read as an extended essay on the essay, the book is associative, meandering, full of propositions and counter-propositions. even pieces of the lost cause that seemed new to the postwar period actually stemmed from earlier white southern advocacy. walton’s new book the lost world of adam and eve. main concern is to show that there is no necessary contradiction or tension between the discoveries of modern science when they are rightly understood and what the bible actually teaches about cosmic and human origins, especially the latter. d’agata reminds us early in the volume that the name of the form derives from “the middle french essai—‘a test’, ‘a trial’, ‘an experiment’,” and asks us to see the essay as “the equivalent of a mind in rumination, performing as if improvisationally the reception of new ideas, the discovery of unknowns, the encounter with the ‘other.  the lost cause, while not a denial of the war’s end, did often seem a perennial effort to stave off unconditional surrender. as an essay anthology, the next american essay made compelling, revelatory reading; more surprisingly, it could also (as i had several occasions to observe) do something almost no composition reader ever does: inspire interesting writing. in the wake of the war, nostalgia defined lost cause mythology to an even greater extent, as lost causers framed their entire celebration of the idealized south through the lens of confederate defeat and the sorrow of southern destruction. historical landscape of the essay that d’agata takes us through is at once familiar and strange.  by exploring the lost cause’s roots, we can begin to answer that question. the concept originally evolved, it was not meant to imply that journalists were free of bias. american historians, too, have increasingly focused on memory, specifically that of the civil war: thomas connelly in the marble man (1978) and gary gallagher in the myth of the lost cause and civil war history (2000) both study the war’s legacy, as connelly explores the legend of robert e.”  thus, even as lost cause literature made nostalgic pronouncements about a doomed, vanquished southern world-a “lost cause“! agree with walton that genesis 1:1 serves as a title for the chapter as a whole and verse 2 refers to the original conditions into which god spoke his first creative word in v. he emphatically wants our idea of the essay to include the imagined, the speculative, even the counterfactual.
    • The lost meaning of 'objectivity' - American Press Institute

      he reads ane stories of human origins the same way and suggests that, in light of this background, the ancient israelites would have not expected a story of material human origins anyway. according to walton, the new testament pays very little attention to our material origins except on a general level in jesus’s genealogy (luke 3:38) and in 1 corinthians 15:45–49 where paul makes the point that we are of the dust of the earth (gen 2:7; 3:19; cf.[5] and it endured after the war, when lost causers glorified the old south by idealizing pristinely manicured “plantation vistas. of the anthology’s selections are quite well known, but not as essays.  the confederacy was to have been the capstone for those arguments; in the wake of its destruction, the lost cause took its place as the central vehicle for maintaining a vision of the ideal south and of white southerners.” or, as he memorably asserts in introducing mallarmé, “every essay is a journey of a thought into risk. upholding those arguments, lost causers did not abandon earlier glorifications of slavery, even as they reluctantly accepted emancipation and denied slavery as the war’s central cause. d’agata’s anthology the next american essay cannonballed into these long-quiet waters in 2003. theodor adorno, whose meta-essay on the subject does not find its way into d'agata's collection, offers one answer: "luck and play are essential to it., the civil war must have had an impact on white southerners who had lost their quest for political independence and racial slavery.“forming from dust” and “building from rib” are archetypal claims and not claims of material origins; forming of humans in ancient near eastern accounts is archetypal, so it would not be unusual for israelites to think in those terms; the new testament is more interested in adam and eve as archetypes than as biological progenitors. bumptious as this may sound, the enthusiasms of "the lost origins of the essay" are generous and eclectic. an anthology, "the lost origins of the essay" quickly fails to be one.  lost causers were not unique in their racial bigotry-they were part of a racist world-but they harbored distinct and pressing fears about living among millions of emancipated slaves.  that the civil war was both a disruption and a bridge in american history is particularly important for understanding the roots of the lost cause.
    • The Lost World of Adam and Eve: A Review Essay | Themelios from

      lee, and gallagher more broadly examines the lost cause (alon confino, “traveling as a culture of remembrance: traces of national socialism in west germany, 1945-1960,” history and memory 12 [fall/winter 2000]: 92-121; thomas lawrence connelly, the marble man: robert e. he emphasizes once again that genesis 2 refers to “the nature of all people, not the unique material origins of adam and eve” (p. but i hasten to add that we are both very interested in hearing what the scientists have to say about issues of origins, and i believe john walton has done a good job here of summarizing the major issues that have been raised.© 2012 by the rector and visitors of the university of virginia and essays in history | login. does it really make more sense to call the marriage of heaven and hell and a season in hell poems than it does to call them essays? pollard wrote in his work, the lost cause, a year after appomattox, “the author aspires to place the history of the war above political misrepresentations.  after the war, lost causers, from general jubal early to lawyer and politician benjamin hill, used the same ideas to vindicate the southern past and to influence the postwar union.  after the war, lost causers hoped to seize upon this old acceptance of southern constitutional theory.  the lost cause represented the postwar phase of this broader, continuous effort. a novel’s inclusion of real places and actual historical events does not make it a work of nonfiction; since borges’s “tlön, uqbar” has the tone, deportment, and momentum of an essay, does its account of an invented place really make the text fiction? in the lost world of adam and eve he first reviews some of the arguments from that earlier book and then moves into a step by step presentation of how he reads genesis 2:4–3:24. The anthologies I own -- "The Oxford Anthology of British Literature,"The lost meaning of ‘objectivity’. vlach writes about the work of lost cause painters, who joined lost cause writer and speakers in promoting a common southern vision.’agata particularly seeks to discourage any notion that what makes an essay an essay is that it holds information. logan wrote of countering “the power which animated rebellion [and] the ‘lost cause.
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