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World Politics and Popular Culture

concentrating on the dramatic changes in transportation, communication, and entertainment since 1945, betts offers not merely a chronicle but an interpretation of the cultural ascendancy of the popular. betts’s less ambitious book, a history of popular culture: more of everything, faster, and brighter (new york: routledge, 2004), only begins its history from the end of world war ii. rubin and melnick suggest that this film enacts a variety of long-standing aspects of immigration narratives in popular culture. both popular culture and science fiction have historically been considered processing sites for “questions concerning the politics and ethics of immigration: it’s very easy to see how “aliens” operate as stand-ins for, well, “aliens,” that is immigrants” (1). finally, ashby examines the influence of the attack on the world trade center in 2001 in creating a sense of community that was exhibited in popular culture from country music to movies. this discussion not only provides historical context for the conflict between the entertainment industry and conservative social activists, but also reveals the history of the standards by which popular culture is measured today. richard santana and gregory erickson likewise explore the impact of popular culture on popular christianity in religion and popular culture: rescripting the sacred (jefferson, n.) moreover, works in such specialty areas as faith and television, film, 7 literature, music, art, leisure, sport, and—an area of which no parent will be ignorant—video gaming 8 have been ignored only to keep the size of this essay down; their inclusion would have greatly increased the number of its pages.

Popular culture - Wikipedia

is a collection of peer-reviewed academic world history essays and articles. in a somewhat different manner, craig detweiler and barry taylor’s a matrix of meanings: finding god in pop culture (grand rapids, mi: baker academic, 2003) and david dark’s everyday apocalypse: the sacred revealed in radiohead, the simpsons, and other pop culture icons (grand rapids, mi: brazos, 2005) look for divine disclosures in popular entertainment. the new prophetically incorrect: a christian introduction to media criticism by robert woods and paul patton (grand rapids, mi: brazos, 2010), follows suit by offering guidelines for creating, critiquing, and using popular media that are deeply implicated in consumerism. yoder contended that a proper deportment towards “culture”—certainly, i would add, towards popular culture—requires that christians exercise discernment. richard niebuhr reasoned: a critique of christ and culture,” (pp. not only do rubin and melnick discuss the representations of immigrants in popular culture, but they offer an examination of how immigrants have shaped their own identities through their control of popular culture productions. the book received mostly glowing reviews but was brilliantly critiqued by john howard yoder in an essay originally written in 1958 but only recently published. william romanowski’s eyes wide open: looking for god in popular culture (grand rapids, mi: brazos, 2007 [rev.

AMST 241 - 01 (S)

later, tertullian and augustine, among others, denounced popular roman entertainments and discouraged christian participation. rubin and melnick argue that there are three central questions concerning immigrants and popular culture that beg for attention: “what are immigrants going to ‘do’ to american culture? essay: examining race, gender and identity in american popular culture. it is full of fascinating information and ashby does an excellent job of exposing the social significance of popular entertainment; however, at times, the text leaves the reader feeling that one conversation was not finished before the next one started. they analyze the role of immigrants as consumers, producers, and subjects of popular culture. uses a variety of newspapers and magazines as primary sources to support her conclusion that 19th century culture used the idea of “whiteness” to create a sense of american-ness that was malleable and varied in different regions of the nations. popular culture is exported around the world and is often considered a distinct expression of american-ness. culture is a compelling way to teach history to an “entertainment focused” generation.

Examining Race, Gender and Identity in American Popular Culture

  showing how popular culture was used to drive the war effort and create consensus in the 1940s, the author then considers how popular culture in the 1950s began to demonstrate counterpoints to accepted social norms, leading to the explosion of counterculture in the 1960s. she does devote an entire chapter to how the assaults of women’s rights activists upon institutions of patriarchy were viewed by the popular press as weakening the dominance of white men over other races. three that explicitly name the challenge in their titles are dancing in the dark: youth, popular culture, and the electronic media (grand rapids, mi: eerdmans, 1991), ed. in a more negative key, thomas hibbs makes a compelling argument in shows about nothing: nihilism in popular culture from the exorcist to seinfeld (dallas: spence, 1999) that north american pop culture is premised on nihilism. books on youth ministry cannot avoid reference, at least in passing, to the challenges of ministering to youth immersed in popular culture in one or another of its many manifestations. and if it is true, as terry eagleton suggests, that “in the modern age [culture] comes to substitute itself for a fading sense of divinity and transcendence,” 2 then the challenge of distinguishing between harmful and beneficial spiritual influences in popular culture has never been greater."the korean wave offers an illuminating view into the world of korean popular culture. the text is quite lengthy and although it provides a dynamic discussion of popular culture in america it is not appropriate for a 100 or 200 level undergraduate course.

Research papers on indian popular culture

situating the examination of popular culture in the united states between the commodification of the november 1829 fatal leap of sam patch at genesee falls, new york, and the 1980 election of ronald reagan as president of the united states, the author traces what he believes to be the “movement of entertainment to the center of american life” (442). even addressing these considerations leroy ashby has written an exceptional survey of popular culture in the united states since the age of jackson, and his book is an excellent textbook for college-level popular culture courses. using blackface minstrelsy as the prototype of the idea of “masking,” the authors argue that mimicry, which both immigrant ethnic groups and the dominant culture have employed, has energized popular culture in the united states. have listed none of the advanced theoretical works that underpin much scholarly research into popular culture. an earlier book with a similar slant is tex sample’s the spectacle of worship in a wired world: electronic culture and the gathered people of god (nashville: abingdon, 1998). his contentious study of the spirituality of “generation x” (virtual faith: the irreverent spiritual quest of generation x [san francisco, ca: jossey-bass, 1998]), lay preacher tom beaudoin argues that the impieties of “generation x”—nurtured in the bosom of popular culture—are evidence of authentic spiritual longing. nevertheless, rubin and melnick have given voice to the marginalized ethnic groups who are seldom given credit for the role they played in shaping american popular culture. rise in popularity of south korean entertainment and culture began and is promoted as an official policy of the korean government to revive the country's economy.

Direction: Faith and Popular Culture: A Bibliographic Essay

ashby does not delve into complex theoretical discussions of the historiography of popular culture history; rather he examines the complexities of ideas of race, gender, identity and class. effectively uses the historical development of a number of popular culture media to consider changing american society. religion and popular culture in america (berkeley, ca: university of california press, 2005 [rev. images victorianpopculturecircusesslideshowsandfreaks jpgshe s mad real popular culture and west indian girls in brooklyn research paper topics pop culture main steps to write a superbpopular culture receives an honorable mentionliterature edit the end of cool japan ethical legal and cultural challenges to global researchfashion in india wikipediatelling the bees poem analysis essaytalk humoring the saints mirabai and her guru. like ashby’s text, rubin and melnick look at jewish influences on popular culture, especially when it comes to hollywood. of theology will appreciate kelton cobb’s the blackwell guide to theology and popular culture (malden, ma: blackwell, 2005) for its accessible discussion of theories of popular culture and its suggestive, if not completely compelling, proposal for a theology of popular culture. in chapter two frost compares popular fantasies about the violent tendencies of freed slaves with representations of civil war draft riots whose violence was primarily perpetrated against slaves. in discussing popular culture as a primary document relating to history, it is critical to understand how the public responded to the documents.

The Korean Wave - Korean Popular Culture in Global | Y. Kuwahara

a defensive posture toward popular culture, dick staub, in the culturally savvy christian: a manifesto for deepening faith and enriching popular culture in an age of christianity-lite (san francisco, ca: jossey-bass, 2007), argues that christians should take the offensive and aggressively and confidently work to enrich popular culture both artistically and intellectually. author’s use the vehicle of popular culture to examine demographic changes, immigration legislation, and globalization in the united states during the twentieth century. along the way, he takes time to examine puritan resistance to that emerging culture, a resistance rooted in the belief that it diverted attention of the masses from the pursuit of virtue. by the 1980s ashby suggests that while ronald reagan’s election and the popularity of television characters such as bill cosby’s cliff huxtable represented a nostalgic attempt to revive the idealistic values of the 1950s the author notes that american popular culture has historically exhibited the complexities of american society. chronologically, ashby examines the impact of the great depression and world war ii on popular culture. much research has been done on the history of popular culture, but it is difficult to find materials that work well for undergraduates and have enough historiographical theory to introduce them to the general field of history. additionally, although ashby does not use a lot of theory, his discussion of race, gender, and identity provides outstanding examples of how popular culture sources can be used to examine these ideas. barnum, as well as providing a glimpse of the role the popular press played in expressing social tensions.

Black Cultural Traffic: Crossroads in Global Performance and

three texts each represent a different view of popular culture as a way to examine specific aspects of history. the text starts with a brief discussion of the 18th century, the 19th century is covered in 150 pages, the first half of the 20th century in about 150 pages, post-world war ii is discussed in the remaining 200 or so pages, and the post 9/11 section of the book is a litany of brief references to changes in popular culture as a result of the attack on the world trade centers. popular culture 1850-1877 (university of minnesota press, 2005); leroy ashby’s with amusement for all: a history of american popular culture since 1830 (the university of kentucky press, 2006), and rachel rubin and jeffrey melnick’s immigration and american popular culture: an introduction (new york university press, 2007). and what is american culture going to ‘do’ to immigrants? it is at this juncture that rubin and melnick’s text, immigration and american popular culture: an introduction, adds to the depth of the topic by examining the role of immigrants in popular culture. taken together these books provide a dynamic picture of the role popular culture has played and continues to play in influencing american identity, politics, and economy. mahan, brings together over a dozen essays that likewise look critically at the religious dimensions of such pop phenomena as gangsta rap, star trek, madonna, cyber-culture, and the da vinci code. wikipedia, granting the reliability issues of this volunteer driven online encyclopedia, can still be a wonderful resource for researching the many and various expressions of popular culture.

Style Guide | Dialogue: The Interdisciplinary Journal of Popular

against popular amusements or habits have been around since the bible. it does not include a comparative study of parallel contributions by “white mainstream” americans and black americans, this text is in no way a thorough examination of the exact role and importance of each ethnic group in the development of united states popular culture.  frost’s thoughtful analysis of popular culture texts is informative, but it fails to explore the reaction of the readers. interestingly, frost points out that african americans were treated more harshly by the northern popular press than they were by the confederate press. however, when these three texts are combined they create a strong foundational understanding of how popular culture in the united states has shaped ideas of race, gender, and american identity.’s understanding evangelical media: the changing face of christian communication (downers grove, il: ivp academic, 2008) is a collection of ten essays that carefully assess evangelical uses of radio, popular music, worship music and media, television, film, books, internet, gaming, and other new media. william romanowski’s pop culture wars: religion and the role of entertainment in american life (downers grove, il: intervarsity, 1996) provides a christian perspective on the history of popular culture and its relation to american christianity. roncace and patrick gray, in their book, teaching the bible through popular culture and the arts (atlanta: society of biblical literature, 2007), briefly survey hundreds of examples of art, film, literature, music, and other media and suggest how they might be used to engage students in the study of the bible.

discernment, of course, demands careful study of the subject, and recent years have seen many works that represent extensive study of some aspect or other of north american popular culture—radio, television, film, music, entertainment, sports, leisure, literature, art, or the internet. more abrasively satirical treatment will be found in the messiah formerly known as jesus: dispatches from the intersection of christianity and pop culture (waco, tx: baylor university press, 2008) by tom breen. papers on indian popular culture Quick search (author & title keywords). analysis from a christian point of view of the effect of popular culture on the north american church will be found in shane hipps’s flickering pixels: how technology shapes your faith (grand rapids, mi: zondervan, 2009), where he considers how technology has changed the way christians think about scripture, community, and worship. post of research papers on indian popular culturesample cover letter for information technology assistant. of modern south asia: history, culture, political economy by sugata bose and ayesha jalal. (i am prepared to argue that detailed and extended discussion and argument still requires a book, or a longer essay at least. and also: what will american popular culture producers do ‘about’ immigrants?

using six case studies in a chronological approach, the authors examine the origin and reception of a variety of popular culture frameworks."yasue kuwahara and her collaborators add profusely to the burgeoning literature about the korean wave, fielding questions and systematically answering them, on aspects such as global audiences, hegemonic relationships with the united states and japan through korean popular culture, glocalization, and government promotional policies. james press, 2000)—containing more than 2,700 entries by scholars in the field—makes a valiant effort and should remain a reliable guide to late twentieth-century north american pop culture. those interested in an introduction to those would do well to begin with kelton cobb’s discussions of the frankfurt school and the cultural studies approach connected with the centre for contemporary cultural studies (university of birmingham, britain) in the blackwell guide to theology and popular culture (malden, ma: blackwell, 2005), 29–71. sometimes provocative, sometimes surprising, but always clear-sighted, each author offers an essay that stands well on its own but that also contributes to a scholarly, informative, and captivating volume. culture as the bearer of religious values is a frequent theme of critical studies. since ashby’s text does include the influence of black americans and, to a degree, the “white mainstream,” these two texts together provide a complimentary picture of the change over time in american popular culture and the contributions made by marginalized groups. scope of literature on the subject of “faith and popular culture” is much wider than this brief essay indicates.

Global popular culture essay

constant changes and new developments in popular culture will guarantee that new data requiring interpretation and evaluation will not soon be in short supply. fine works on the history of north american popular culture is leroy ashby’s with amusement for all: a history of american popular culture since 1830 (lexington, ky: university press of kentucky, 2006), a weighty tome that traces the development of entertainment and amusement in america from before the civil war to the present. them” theme in 19th century culture which confirmed that “real” americans were white and that the dominance of white men was endangered by unorthodox women, blacks, native americans, and immigrants, among others. 3 among yoder’s criticisms is that niebuhr insists on a monolithic conception of culture that can only fail to do justice to its many dimensions, some of which christians might affirm and adopt; some, condemn; some, seek to transform. although each text presents its own issues, these too can be used in the classroom to challenge students to engage in critical analysis of these texts, as well as the popular culture they consume on a daily basis. richard niebuhr who, in his best-selling christ and culture (1951), defined five basic postures available to christians in their relationship with “culture”: they could be against it, of it, above it, in a paradoxical relationship to it, or seek its transformation. in examining popular culture between 1850 and 1877, frost focuses on a critical period in the formation of american national identity. amusement for all: a history of american popular culture since 1830.

it builds on his earlier understanding theology and popular culture (malden, ma: blackwell, 2005) in which he attempts to define the concept of popular culture and outline a theological approach to its study. interesting new collection of essays on this topic is halos and avatars: playing video games with god, ed. the writer of the letter to the ephesians warns his readers against the popular culture of the gentiles (4:17–20). i have focused attention on a select few reference works, monographs, and essay collections, most published in the last ten years or so, and not at all on online resources. who study hinduism and india face hostile climate indian journal of comparative literature translation studies anchor paper popular culture the british library indian journal of comparative literature translation studies the routledge handbook of indian cinemas national seminar on representations of the marginalized in th century indian writings in english amazon com the map contains basic information about the country of the program resides in it is just supplementary graphical map and does not hold any information media pop culture sociology in focus replies retweets like victorian popular culture vripmaster paper boat india national identity and the arts quality management view images popcultureinbritainandamerica jpg world literature at the university of illinois whose research interests include globalization and theories of popular culture teaches courses on indian libguides. focus of the article is not to provide a review of books as histories of popular culture, but rather as texts that examine history using popular culture as primary sources. in your god is alive and well and appearing in popular culture (philadelphia: westminster, 1976), another earlier work, john wiley nelson argues that it is in american popular culture that the true american religion is revealed. perhaps some of the works cited in this essay will help stimulate a conversation among pastors, youth workers, and others and thus make the determination of what is true, noble, right, pure, lovely, and admirable a less lonely and overwhelming task.

and puritans were less than restrained in expressing their antipathy toward the popular pastimes of their day. yasue kuwahara is to be commended for editing a collection that will appeal to scholars across disciplines, both those new to korean popular culture and those who are well versed. course, this can all be very discouraging for anyone who just wants enough clarity and wisdom to respond with a confident “yes” or “no” to some aspect of the perpetually changing pop culture scene. examinations of cockfighting, football, baseball, and boxing reveal the use of popular culture to differentiate class and race. while not an interpretive work, with amusement for all, delivers an effective introduction to the development and significance of popular entertainment in a democratic society. because of my interest in race, gender, and identity, popular culture seemed a perfect framework to introduce upper level undergraduates to research in a way that piqued their interest and challenged their preconceived ideas. intriguing resource is bruce demarest and keith matthews’ recently published dictionary of everyday theology and culture (colorado springs, co: navpress, 2009), which attempts to bring theological concepts “down to earth” by connecting them to elements of popular culture. in christotainment: selling jesus through popular culture (boulder, co: westview, 2009), shirley steinberg and joe kincheloe assemble essays that critically examine the adoption by popular evangelicalism of media like movies, television, music, and video games which were once disdained.
recognition of the tightly knit relationship between popular culture and consumerism takes center stage in consuming religion: christian faith and practice in a consumer culture by vincent miller (new york: continuum, 2005). schultze, in which various writers analyze the tight relationship between the popular entertainment industry and youth; tim gossett’s keepin’ it real: christian life in a pop culture world (nashville: abingdon press, 2005), a seven-session study series that aims to help youth maintain their christian identity in a pop culture world; and engaging the soul of youth culture: bridging teen worldviews and christian truth (downers grove, il: intervarsity press, 2006), in which walt mueller (founder and president of the center for parent/youth understanding) writes to boomer parents, youth workers, and christian educators on how to connect with the tumultuous world of popular teen culture and then address it with the claims of the gospel. popular culture has shaped not only american perceptions of self, but american identity internationally. with the near-universal christian acceptance of radio and television—and now the internet and much popular entertainment—images, sounds, and ideas of questionable and tested provenance alike have unparalleled access to christian hearts and minds. suggests that the desire for commercial profit intersected with artistic expression in the late 18th century and was strongly influenced by a propensity for violence to generate a highly profitable and democratized popular culture market. this essay will survey some of general and a few specialized works that will give readers an entry into this burgeoning field. his book bemoans the negative ways in which religious belief and practice—theological method, doctrine, belief, community—have been transformed by our ravenous consumer culture and proposes strategies for resisting that transformation. this review article examines three texts that, when used together, provide a solid way to teach history using popular culture as the theoretical framework.

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